![]() ![]() I noticed that there weren’t any other musicians on the session, except Dean Parks. I was sick that day, but I got there early and got the drums tweaked with my tech. I had been working for Babyface (Kenny Edmunds), and he called me for this session. ![]() This was recorded in 1997 at Record Plant, in the back room in Hollywood. You can listen to We are the world right here: They all fled out and we cut a number one record. Quincy looked at me and said: “ JR, let’s get this going!” I basically said: “ Everyone, get the fuck out, let us record first and then you all can come back in!”. After we had learned the song around the piano with Lionel and Michael, the media kept swarming. There were so many media types in the studio with us, that it was very chaotic. Everything else was layered from the bottom up. So we cut with a trio – piano, bass and drums. This was the main rhythm section for Quincy. It was a great but small rhythm section with Greg Phillinganes on keys and the late Louis Johnson on bass. We are the world still holds the record for most sales. ![]() We had been recording over 10+ records at that time, and this one was very special. The very famous vocals were recorded one week later at A&M studios. So when Kenny bought the building, I was very familiar with the location. When I first joined Rufus we were on ABC/Dunhill. This was the original ABC/Dunhill records building. This was recorded at Kenny Rodgers studio, Lionshare in studio A. You can listen to I’m so exited right here: I got the chance with I’m so excited and Slow hand. I first saw the Pointer Sisters in 1972 when they opened up for Chicago at Veterans Memorial Coliseum in Des Moines, Iowa. I remember hearing the demo and thinking that “…this is funky!” However, after playing the song with the cats, it all made sense. This was a great band with Nate Watts on bass, Tim May, Paul Jackson and Ira Newborn on guitars, and with John Barnes on keys. I received a call from Richard Perry, asking me to come down to the studio a record for the Pointer Sisters. Unfortunately, the studio no longer exists, but it’s ghosts sit right in the middle of Paramount. By reducing the lyrics to a single phrase and layering it over an uncompromisingly mechanical beat, Daft Punk is creating a new kind of music that is both human and inhuman at the same time.This was recorded at Studio 55, owned by Richard Perry and located on Melrose Avenue in Hollywood. Daft Punk has always been interested in exploring the boundaries between humans and machines, and "Robot Rock" is a powerful example of their unique approach to music-making. The song's title, "Robot Rock", also hints at its deeper meaning, as it suggests a blending of the organic and the technological. Through this musical experience, Daft Punk is exploring the intersection between man and machine, and questioning whether or not a line can truly be drawn between the two. ![]() The repetitive lyrics and hypnotic rhythm are meant to evoke the sensation of being trapped in a machine-like world, with the listener becoming one with the robot rock that surrounds them. However, the true meaning of these staccato words lies in the accompanying sound, as the phrase is chanted robotically over the driving metallic beat of the song. The lyrics to Daft Punk's song Robot Rock are repetitive and simple, consisting of only one repeated phrase: "Rock, robot rock". ![]()
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